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Collection of the Lowe Art Museum, University of Miami
William the Conqueror on His Death Bier
Collection of the Lowe Art Museum, University of Miami
© Lowe Art Museum, University of Miami. All rights reserved.

William the Conqueror on His Death Bier

Artist/Maker Théodore Géricault France, 1791-1824
Datenot dated
CultureFrench
Mediumlithograph
DimensionsSheet: 9 1/4 x 9 7/8 in. (23.5 x 25.1 cm)
Mat: 16 x 20 in. (40.6 x 50.8 cm)
ClassificationsVisual Works
Credit LineGift of Dr. David James
Terms
    Object number62.048.039
    On View
    Not on view
    Collections
    • Art of Europe
    Collection of the Lowe Art Museum, University of Miami
    Le cheval du plâtrier (The Plasterer's Horse)
    Théodore Géricault
    1822
    Collection of the Lowe Art Museum, University of Miami
    Jument Égytienne
    Théodore Géricault
    ca. 1820
    Collection of the Lowe Art Museum, University of Miami
    Cheval Espagnol
    Théodore Géricault
    1822
    Collection of the Lowe Art Museum, University of Miami
    Cuirassiers chargeant une batterie d'artillerie (Cuirassiers Charging an Artillery Battery)
    Théodore Géricault
    1823
    Collection of the Lowe Art Museum, University of Miami
    La mort l'a pris comme il sortait du lit d'orties (Death Took Him as He Rose from His Bed of Nettles), Plate 45
    Georges Rouault
    1927
    Collection of the Lowe Art Museum, University of Miami
    "I spread my wings and we were off … Lot lay in his cave with his daughters drunk as always…"
    Raphael Soyer
    1970
    Collection of the Lowe Art Museum, University of Miami
    L’inconvénient de se faire bichonner. Saperlotte prenez donc garde vous me brulez! J'ai un rendez vous, je veux que vous me fassiez beau mais pour aller parler de ma flâmme, il n'est pas nécessaire que je sente le roussi! (The inconvenience of having his hair curled. Oh blast look here, watch out you are burning me. I am meeting someone, and I want you to make me look good but in order to declare my burning passion, I don't need to smell scorched!), Plate 31
    Honoré Daumier
    1843-1846
    Collection of the Lowe Art Museum, University of Miami
    Le sauvage Bineau ayant enfin trouvé à utiliser sa massue sur les boulevards et fesant connaître aux Parisiens tous les charmes des routes Américaines (Finally the savage Bineau has found a way to use his club on the boulevards and introduce Parisians to all the charmes of American roads), Plate 54
    Honoré Daumier
    June 26, 1850
    Collection of the Lowe Art Museum, University of Miami
    L'intérim d'un instituteur suspendu de ses fonctions (Interim Job of a Teacher Suspended from His Functions), Plate 71
    Honoré Daumier
    February 6, 1850
    Collection of the Lowe Art Museum, University of Miami
    Sa Majesté de Broglie 1er. autocrate de France et de Navarre (His Majesty de Broglie the First, Autocrat of France and Navarre)
    Honoré Daumier
    April 5, 1835
    Collection of the Lowe Art Museum, University of Miami
    Le système est bien malade. Taillerand l'abandonne. (The system is gravely ill. Talleyrand is turning his back on it.)
    Honoré Daumier
    February 8, 1835
    Collection of the Lowe Art Museum, University of Miami
    Lear and His Men Leaving Goneril's Castle, Act I Scene V
    Oskar Kokoschka
    1963
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