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Collection of the Lowe Art Museum, University of Miami
Painted Bark Cloth (Ngatu)
Collection of the Lowe Art Museum, University of Miami
Collection of the Lowe Art Museum, University of Miami
© Lowe Art Museum, University of Miami. All rights reserved.

Painted Bark Cloth (Ngatu)

Artist/Maker (Artist Unknown)
Datelate 19th to early 20th century
Mediumbark cloth and paint
DimensionsOverall: 149 1/2 x 70 in. (379.7 x 177.8 cm)
ClassificationsVisual Works
Credit LineCollection of the Lowe Art Museum, University of Miami
Terms
    Object number84.0034
    DescriptionNgatu or bark cloth is classified by Tongans as one of the most important objects of value or wealth produced by women. Like women themselves, it is considered prestigious and is ritually presented at all important events such as weddings, funerals, and dance performances. Tongans also use bark cloth for clothing and domestic purposes. As a product of the work of women, bark cloth references cultural coherence and wealth and is a necessary complement to the work of men, which is physical and relates to power.

    The designs reflect the Tongan practice of heliaki: “to say one thing but mean another.” In the bands of geometric designs there are triangles joined at the apex, a design inspired by a double canoe with both sides equal. This is a metaphor for status derived from having both parents of equal chiefly rank, an important consideration in the rigidly hierarchic societies of Polynesia. The band also contains a design of concentric squares crossed by diagonals and known as fata. It refers to the complicated roof structure of a chief’s house. Naturalistic designs, mostly plant forms, became increasingly popular at the turn of the 20th century.

    Women make Ngatu by beating the inner bark of the mulberry plant over a large, curved pattern board that has been wrapped with cords or a fish net to provide background texture. Stencils of designs may also be laid out over the pattern board and the resulting patterns accentuated by careful hand painting. The women paste numerous smaller squares of bark cloth together to form larger presentation pieces, some as long as 50 meters.
    On View
    Not on view
    Collection of the Lowe Art Museum, University of Miami
    Artist Unknown
    19th century
    Collection of the Lowe Art Museum, University of Miami
    Artist Unknown
    19th century
    Collection of the Lowe Art Museum, University of Miami
    Artist Unknown
    1912-1917
    Collection of the Lowe Art Museum, University of Miami
    Guna people
    ca. 2013
    Collection of the Lowe Art Museum, University of Miami
    Guna people
    ca. 2013
    Collection of the Lowe Art Museum, University of Miami
    Guna people
    ca. 2013
    Collection of the Lowe Art Museum, University of Miami
    Guna people
    ca. 2013
    Collection of the Lowe Art Museum, University of Miami
    Artist Unknown
    early 20th century
    Collection of the Lowe Art Museum, University of Miami
    Iban Dayak people
    20th century
    Collection of the Lowe Art Museum, University of Miami
    Artist Unknown
    not dated
    Collection of the Lowe Art Museum, University of Miami
    Leagros Group
    ca. 575-500 BCE
    Collection of the Lowe Art Museum, University of Miami
    Artist Unknown
    collected 1932