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Collection of the Lowe Art Museum, University of Miami
Du pain!... garçon!... une poire pour 221! (Bread!... Waiter!... A Pear for 221!)
Collection of the Lowe Art Museum, University of Miami
© Lowe Art Museum, University of Miami. All rights reserved.

Du pain!... garçon!... une poire pour 221! (Bread!... Waiter!... A Pear for 221!)

Artist/Maker (France, 1808-1879)
DateAugust 9, 1834
Mediumlithograph
DimensionsSheet: 9 1/8 x 12 3/8 in. (23.2 x 31.4 cm)
Overall: 10 3/8 x 13 7/8 in. (26.4 x 35.2 cm)
ClassificationsVisual Works
Credit LineGift of Dr. and Mrs. Daniel Sharkey
Terms
    Object number99.0031.08
    On View
    Not on view
    Collections
    Collection of the Lowe Art Museum, University of Miami
    Une application utile du diamant magnétiseur. Ma femme est bien magnétisée! Je peux filer tranquillement pour le bal de l'opéra … dors bien bobonne! (Practical Application for a Diamond Hypnotisy. My wife is hypnotized now I can quietly leave for the opera ball ... sleep well, my dear!), Plate 140
    Honoré Daumier
    January 24, 1860
    Collection of the Lowe Art Museum, University of Miami
    Une séance du conseil des cinq (A Session of the Council of Five), Plate 7
    Honoré Daumier
    October 15, 1850
    Collection of the Lowe Art Museum, University of Miami
    Vois-tu, Jean, V'la l'bois qu'on fait les rois, c'est l'poirier; et v'la celui des empereurs, c'est l'aurier. (You See, Jean, The Tree From Which Kings Come Is the Pear.)
    Honoré Daumier
    not dated
    Collection of the Lowe Art Museum, University of Miami
    Inconvénient pour un proprietaire de ne pas bien se rappeler au juste ou il a fait placer des pieges à loup. (Quite embarrassing not to remember where one has hidden the wolf traps.), Plate 44
    Honoré Daumier
    March 14, 1846
    Collection of the Lowe Art Museum, University of Miami
    L’inconvénient de se faire bichonner. Saperlotte prenez donc garde vous me brulez! J'ai un rendez vous, je veux que vous me fassiez beau mais pour aller parler de ma flâmme, il n'est pas nécessaire que je sente le roussi! (The inconvenience of having his hair curled. Oh blast look here, watch out you are burning me. I am meeting someone, and I want you to make me look good but in order to declare my burning passion, I don't need to smell scorched!), Plate 31
    Honoré Daumier
    1843-1846
    Collection of the Lowe Art Museum, University of Miami
    Patience! On va vous construire une salle (Patience! We are going to build you a room)
    Honoré Daumier
    February 12, 1835
    Collection of the Lowe Art Museum, University of Miami
    Tiens, c'est madame Camuzot dans le premier moment j'avais cru que c'était une Néréide! (Well, it's Madame Camuzot for a moment I took her for a sea-nymph!), Plate 5
    Honoré Daumier
    August 13, 1853
    Collection of the Lowe Art Museum, University of Miami
    Orateurs aux longs bras, Ségur cherche une science, Plate 14
    Honoré Daumier
    November 27, 1850
    Collection of the Lowe Art Museum, University of Miami
    Une lauréat de 1868 (A Prize Winner in 1868), Plate 187
    Honoré Daumier
    1868
    Collection of the Lowe Art Museum, University of Miami
    Une mauvaise cuisine (Too Many Cooks Spoil the Broth), Plate 129
    Honoré Daumier
    June 6, 1850
    Collection of the Lowe Art Museum, University of Miami
    Deux chasseurs vivaient en paix: une perdrix survint et voilà la guerre allumée! (Two Hunters Were Living in Peace. A Partridge Passed and Behold, the War Began!), Plate 23
    Honoré Daumier
    January 24, 1854
    Collection of the Lowe Art Museum, University of Miami
    Une vente aux enchères aux Champs-Élysées (An Auction in a Middle Class House on the Champs Elysees), Plate 80
    Honoré Daumier
    March 10, 1851
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