Brush Pot (Bitong)
Artist/Maker
Artist Unknown
(Artist Unknown)
Datelate 17th century
Mediumporcelain and underglaze cobalt blue
DimensionsOverall: 6 1/4 x 7 1/2 in. (15.9 x 19.1 cm)
ClassificationsContainers
Credit LineGift of Dr. Ralph Parisi
Terms
Object number2000.050.03
DescriptionThe decorative subject matter on this pot is especially appropriate for the scholar’s desk. It illustrates a scene from one of China’s most important prose poems, The Red Cliff. The author, Su Dongbo or Su Shi (1037-1101), lived during the end of the Northern Song Dynasty (960-1127). Not only was Su Shi a leading literary figure, he was also a prominent artist and closely identified with the literati rather than the court approach to painting. He was not only a practitioner but also an art theorist, who advocated that painting did not need formal likeness but should appear to be spontaneous in execution. He also felt that painting needed to be grounded in the achievements of recognized past masters. The Red Cliff poems were the subject a number of paintings from the late Northern Song Dynasty on. The boating scene depicted is referred to in the poem. As a vessel made for the literati, the four-character mark applied to the bottom of the pot, wen zhang shan dou (Writings earning great respect), is especially apt. It has been speculated that this mark appears exclusively on blue and white brush pots of the Kangxi period painted with landscapes and figures. A brush pot with a similar mark dated to the Kangxi period is illustrated in Popular Pottery and Enameled Porcelain of the Qing Period. There are two brush pots of roughly the same size as the Lowe’s bearing this mark in the collection of the Shanghai Museum of Art, both having narrative style paintings. One has a long prose inscription, Ode of the Autumn Sound. With three such extant examples, one can speculate that the wen zhang shan dou mark may not have been reserved for brush pots of this scale.On View
Not on viewCollections
late 17th century
1723-1735
late 17th century
