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Collection of the Lowe Art Museum, University of Miami
Le chêne et les roseaux (The Oak and the Reeds)
Collection of the Lowe Art Museum, University of Miami
© Lowe Art Museum, University of Miami. All rights reserved.

Le chêne et les roseaux (The Oak and the Reeds)

Artist/Maker (France, 1808-1879)
DateOctober 5, 1834
Mediumlithograph
DimensionsSheet: 9 1/4 x 12 3/8 in. (23.5 x 31.4 cm)
Overall: 10 3/8 x 13 7/8 in. (26.4 x 35.2 cm)
ClassificationsVisual Works
Credit LineGift of Dr. Daniel J. DelRowe
Terms
    Object number98.0044.42
    On View
    Not on view
    Collections
    Collection of the Lowe Art Museum, University of Miami
    Les suites d'une discussion politique entre les deux anciens burgraves et amis Berryer et Larochejaquelein (The result of a political discussion between two old friends and Burgraves, Berryer and Larochejaquelein), Plate 5
    Honoré Daumier
    October 10, 1850
    Collection of the Lowe Art Museum, University of Miami
    Les suites d'une discussion politique entre les deux anciens burgraves et amis Berryer et Larochejaquelein (The result of a political discussion between two old friends and Burgraves, Berryer and Larochejaquelein), Plate 5
    Honoré Daumier
    October 10, 1850
    Collection of the Lowe Art Museum, University of Miami
    Le sauvage Bineau ayant enfin trouvé à utiliser sa massue sur les boulevards et fesant connaître aux Parisiens tous les charmes des routes Américaines (Finally the savage Bineau has found a way to use his club on the boulevards and introduce Parisians to all the charmes of American roads), Plate 54
    Honoré Daumier
    June 26, 1850
    Collection of the Lowe Art Museum, University of Miami
    Les caniches et les rentiers allant féliciter l'Assemblée nationale... (Poodles and holders of bonds on their way to congratulate the National Assembly...), Plate 146
    Honoré Daumier
    June 17, 1850
    Collection of the Lowe Art Museum, University of Miami
    Vois-tu, Jean, V'la l'bois qu'on fait les rois, c'est l'poirier; et v'la celui des empereurs, c'est l'aurier. (You See, Jean, The Tree From Which Kings Come Is the Pear.)
    Honoré Daumier
    not dated
    Collection of the Lowe Art Museum, University of Miami
    Tiens au milieu de tous les bouleversemens d'Empereurs et de Rois (Amazing, During All This Hassle About Emperors and Kings), Plate 2
    Honoré Daumier
    March 28, 1848
    Collection of the Lowe Art Museum, University of Miami
    Tous les trois profitant de l'ombre et du silence (All three profit from the shade and the silence), Plate 7
    Honoré Daumier
    October 23, 1850
    Collection of the Lowe Art Museum, University of Miami
    Les Parisiens ayant trouvé moyen de circuler, en temps de pluie, sur les Boulevards macadamisés (Parisians having found a way to move around the asphalted boulevards on rainy days), Plate 156
    Honoré Daumier
    June 29, 1850
    Collection of the Lowe Art Museum, University of Miami
    Les eunuques réformés par le bey de Tunis (Eunuchs Reformed by the Bey of Tunis), Plate 128
    Honoré Daumier
    1860
    Collection of the Lowe Art Museum, University of Miami
    Le Constitutionnel et le Juif errant... (The Constitutionnel and the Wandering Jew...), Plate 103
    Honoré Daumier
    March 31, 1844
    Collection of the Lowe Art Museum, University of Miami
    Divertissement qui devrait être interdit aux personnages politiques considérables, puisqu'il les expose à compromettre l'équilibre Européen (A pastime which really should not be allowed for politicians, since it might jeopardize the European equilibrium)
    Honoré Daumier
    February 16, 1850
    Collection of the Lowe Art Museum, University of Miami
    Les Horaces de l'Elysee (The Horatii of the Elysee), Plate 121
    Honoré Daumier
    May 18, 1851
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